While working for Santi Zoraidez, I contributed to the creation of Pi — Kettal’s innovative flexible room organization system debuting at Salone del Mobile, Milan 2025.

Pi is a microarchitectural solution designed to transform the workplace. Its adaptable structure forms distinct zones without the need for enclosed rooms, supporting everything from focused solo work to collaborative meetings, as well as customizable setups for printing hubs, kitchen areas, and more.

Moving beyond traditional rigid office layouts, Pi offers a multifunctional, fluid approach to shaping spaces, empowering teams to design environments tailored to their needs.

A series of daily explorations—both stills and moving images—driven by curiosity and a search for an artistic voice within 3D. Each piece is an experiment in form, color, and composition, where technical precision meets visual intuition. From abstract studies to subtle narratives, the work embraces the freedom of play, pushing beyond conventional workflows to discover unexpected beauty and emotional resonance in digital space.

The »Labour Lounge« presents a space of contradictions. It's a comfortable lounge area that, at first glance, invites visitors to recharge themselves and their phones. However, this comfort is juxtaposed with an unsettling moral dilemma, as the lounge is furnished with soft cushions shaped like machine guns, child labourers, and chains. A disconcerting discrepancy is being created between comfort and ethical concerns.

The lounge is complemented by a catalogue that stylistically matches the 'ambiance' of the Labour Lounge. Its cover reveals little about its content, which delves into the most conflict-ridden raw materials used in smartphones. This catalogue, spread across six chapters, sheds light on a different country in each chapter, exploring how the extraction of these materials significantly impacts local populations and the environment. The chapters are further enriched with documentary photographs, bringing to light the stark reality behind these resources.

This 3D CGI project explores the artistry of high-class jewelry through striking, visually compelling compositions. The focus lies on creating imagery that not only showcases the craftsmanship and luxurious details of each piece, but also evokes a sense of sophistication and allure. Every scene is carefully designed to highlight the interplay of light, reflection, and texture—bringing out the brilliance of gemstones, the luster of precious metals, and the intricate forms that define fine jewelry.

Through bold camera angles, unexpected perspectives, and dramatic contrasts, the compositions aim to go beyond traditional catalog presentation. The goal is to craft images that feel cinematic and emotionally engaging—transforming each jewelry piece into a statement of elegance, mystery, and desire.

»Virtual Vandalism« is an Augmented Reality exhibition that leverages a virtual, digital space within the public realm to highlight unfair usage dynamics and foster local utopian visions. This project repurposes Hamburg's "Neuer Wall" in Neustadt as a stage for exploring the impact of urban art intersecting with commercially used property areas. The aim is to present the existing space in a different context, prompting reflection on questions such as: Who really owns the city? Do residents can utilize public spaces as they currently exist?

We plan to offer a fresh perspective on the shopping street Neuer Wall by using 3D scans of graffiti from befriended artists on variously textured walls, coupled with Instagram's filter function. This approach indirectly proposes an alternative way of utilizing this space. Through Instagram filters activated by attached trackers, a new scene emerges, merging two contrasting functional spaces. A crucial aspect of this project is observing the reactions from property owners, store employees, and the public. Will this initiative lead to a cultural clash, peaceful coexistence, or a space that encourages dialogue?

While working for Santi Zoraidez, I contributed to the creation of Pi — Kettal’s innovative flexible room organization system debuting at Salone del Mobile, Milan 2025.

Pi is a microarchitectural solution designed to transform the workplace. Its adaptable structure forms distinct zones without the need for enclosed rooms, supporting everything from focused solo work to collaborative meetings, as well as customizable setups for printing hubs, kitchen areas, and more.

Moving beyond traditional rigid office layouts, Pi offers a multifunctional, fluid approach to shaping spaces, empowering teams to design environments tailored to their needs.

The »Glanz oder Harnisch« series, a brainchild of the Scenic Writing program's 13th cohort at the Berlin University of the Arts, represents a bold and creative endeavor that straddles the line between raw literary potential and theatrical experimentation. It's a platform that transforms the stage into a dynamic text laboratory, inviting audiences to become active participants in the cultural process, akin to willing subjects in an artistic trial that breathes life into directorial concepts and narrative blueprints.

The initiative shines by turning various cultural venues into crucibles of creativity, with the Vagantenbühne in Berlin's west providing the backdrop for an evening where the sheen of polished prose meets the rough edges of dramatic drafts. Glanz oder Harnisch emerges not just as an event but as a movement, characterized by text versions that are at once raw, unpolished, and magnetically compelling, embodying the very spirit of the artistic process.